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therealleaah:

amoursteph:

inkimyewetrust:

rehearsals 

So damn cute

Awww

(via blackandwhitemarbles)

babiegyrle:

losrachetss:

kingmuthaphuckinbasquiat:

thaunderground:

sizvideos:

Video

I’ve never used the word “exasperating” in my vocab ever.

Lmaoooo he said “buy me some earplugs too”

He is too grown lmao 😂😂

Lololol this was hilarious

(via black-culture)

exgynocraticgrrl:

Kerry Washington performing Sojourner Truth's 1851 "Ain't I A Woman" speech

 A clip from the History Channel’s “The People Speak”

(via feministenoire)

k-sijr:

"you should take out your dreads"

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"you should get a weave"

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"your straight hair looked so pretty"

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"why did you go natural and get dreads"

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(via reverseracism)

"ain’t no thang but a chicken wang."

-

African American Proverb (via blackproverbs)

see also “Things that white people think black people are still saying.”

(via elionking)

(via reverseracism)

okayafrica:

VIDEO:Introducing French Afro-Cuban Twin Sisters Ibeyi & Their Yoruba Doom Soul

Ibeyi, made up of Cuban-born, Paris-based twin sisters Naomi and Lisa-Kaindé Díaz, is an electronic doom soul duo who are forging a new spiritual sound with their debut EP Oya. The 19-year-old musicians are XL Recordings‘ newest signees, and their introductory singles “Oya” and “River” possess a hypnotic blend of hip-hop, electronica, and blues infused with Yoruba prayers and folk songs that will transport you to a higher realm upon first listen.

Singing in French, English, Spanish and Yoruba, Ibeyi count among their primary influences Nina Simone, Meshell Ndegeocello, James Blake and their late father, the celebrated Cuban jazz percussionist Miguel “Anga” Diaz. Ibeyi’s vocal range, which wavers from the raspy and wraith-like to the sonorous and divine, is ideal for their sonic palette which revels in the phantasmagorical groove of liturgical Yoruba songs. Besides singing in Yoruba–which was brought to Cuba by West African slaves–Ibeyi honor their father’s legacy and Afro-Cuban heritage through their percussive production and use of live instruments. Beatsmith Naomi plays both the cajón and the batá while Lisa-Kaindé remains more in tune with the musical mythos of Ibeyi’s sound by weaving Yoruba lore deeply into their lyrics. “River” is dedicated to the goddess Oshun (the mother of the Ibeyi, and their first single and EP are both named for  Oya (the benevolent orisha who took the Ibeyi in after Oshun was accused of witchcraft for birthing twins and kicked them out).

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